By Harold Bloom, Janyce Marson
Introducing the Harold Bloom Shakespeare versions from Riverhead
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Extra resources for A Midsummer Night's Dream (Bloom's Shakespeare Through the Ages)
QQQ Act III, i, 165-175 Titania : Be kind and courteous to this gentleman; Hop in his walks and gambol in his eyes; Feed him with apricocks and dewberries, With purple grapes, green figs, and mulberries; The honey-bags steal from the humble-bees, And for night-tapers crop their waxen thighs And light them at the fiery glow-worm’s eyes, To have my love to bed and to arise; And pluck the wings from painted butterflies To fan the moonbeams from his sleeping eyes: Nod to him, elves, and do him courtesies.
Mustardseed: What’s your will? Bottom: Nothing, good mounsieur, but to help Cavalery Cobweb to scratch. I must to the barber’s, monsieur; for methinks I am marvellous hairy about the face; and I am such a tender ass, if my hair do but tickle me, I must scratch. Titania: What, wilt thou hear some music, my sweet love? Bottom: I have a reasonable good ear in music. Let’s have the tongs and the bones. Titania: Or say, sweet love, what thou desirest to eat. Bottom: Truly, a peck of provender: I could munch your good dry oats.
Shakespeare’s image of the rivers swollen with pride shows the intimate connection between pride and disaster that is a comic theme threading through A Midsummer Night’s Dream. Titania continues to enumerate a catalogue of ecological disasters, including the seasons no longer bringing their proper weather. ” The events of the world, disparate as they may appear, are seamlessly connected and interdependent in A Midsummer Night’s Dream. Shakespeare does not give space beyond this speech to develop the dramatic consequences of Titania’s vision.
A Midsummer Night's Dream (Bloom's Shakespeare Through the Ages) by Harold Bloom, Janyce Marson