By Alfred Brendel
During this definitive assortment of a well known pianist's writings—some of them by no means earlier than released in English—Alfred Brendel brings the readability and originality of expression that represent his performances to the broadcast web page. even if discussing Bach, Mozart, Beethoven, Schubert, Liszt, Schoenberg, or different pianists, his reflections will turn out beneficial to severe piano gamers and listeners alike.
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Extra resources for Alfred Brendel on Music: Collected Essays
The sound hole helps to project the sound, but it isn’t the exclusive source of sound emanating from the guitar. ✓ Soundboard or Top: Also referred to as the table, the top is the flat, lighter-colored wood on the body that faces the listener. Its function isn’t to remain rigid and reflect sound but to resonate (vibrate) with the strings, amplifying them and projecting the sound in the process. 15 16 Part I: Getting to Know the Classical Guitar ✓ Strings: The strings are what the guitarist touches (fretting with the left hand, plucking with the right) to make sound.
If you tune your 5th string to the tuning fork, you then adjust your 6th string (the fretted one) to the 5th. It’s no more difficult to tune a fretted string while it’s sounding than an open string. The advantage of using a tuning fork over the relative method (described earlier) is that you can get the open 5th string in tune with standard pitch before tuning the rest of the guitar in the relative method. In addition to using a tuner, tuning fork, or fixed reference, you lucky owners of Classical Guitar For Dummies have one more resource with which to tune your guitars: the CD that comes with this book.
In the following sections we show you the blank slate on which composers write music notation, and we cover the three main elements of music: pitch, duration (rhythm), and expression/articulation. 46 Part I: Getting to Know the Classical Guitar The composer’s canvas: The staff, clef, measures, and bar lines Our current system of writing music has evolved from centuries of different approaches, and it’s come a long way since the medieval era. When composers sit down today to write music, they don’t write on just any old piece of paper.
Alfred Brendel on Music: Collected Essays by Alfred Brendel